Initially, Nirvana was imagined to contribute a track to the Singles soundtrack, similar to their then-contemporaries Soundgarden, Pearl Jam, and Smashing Pumpkins. Nonetheless, Nevermind exploded, and by then the rights to any of Nirvana’s music had develop into prohibitively costly. Possibly it’s simply as properly: the band confessed in an MTV interview that they didn’t actually like “rock n’ roll films” and that the script may have been set anyplace.
That they had some extent, too. Singles was re-worked from a screenplay Cameron Crowe had written earlier than his directorial debut basic Say Something…, itself set within the Seattle ‘burbs. The filmmaker had been a resident for years, was a fan of teams like TAD and Mom Love Bone, and was sincerely “paying tribute to a metropolis and a sense,” as he advised Rolling Stone. Singles received accused of being an apparent money seize when it was lastly launched in theaters circa 1992, nevertheless it had truly been sitting on a studio shelf for a minute. That’s, till the bands within the film started promoting hundreds of thousands of albums and, properly, singles. Warner Brothers launched the movie solely after they have been positive the soundtrack may capitalize on the industrial success of the “Seattle sound.”
The true location shoots and tons of musician cameos give Singles a hoop of authenticity. Three Pearl Jam members make up the faux band Citizen Dick alongside Matt Dillon, SubPop founder Bruce Pavitt and Tad seem briefly, and Soundgarden and Alice in Chains get to carry out some massive, bare-chested numbers in crowded golf equipment. (Even Tom Skeritt, a longtime Seattle resident, is in on the motion as town’s apathetic mayor.) Crowe’s script additionally facilities round a Capitol Hill condominium block of “singles” the place many of the most important characters reside and work together.
All of that is to say that the film ought to really feel like the final word Pacific Northwest hangout flick…nevertheless it doesn’t. Singles isn’t a foul movie precisely, but it doesn’t fairly work as both a portrait of hip city twentysomethings, or as a paean to the Emerald Metropolis. That is clearly nonetheless the work of the man who made the kids in Say Something… really feel so considerate and human. However Crowe can also be working with a lot blander characters whose tales hardly ever dovetail with town he clearly loves, and after they do, it’s usually flat out tedious. (As soon as Linda tells him she prefers driving, you’re simply ready for Steve’s “Supertrain” concept to flunk.)
Singles’ most important flaw would possibly simply be in the principle characters of Steve and Linda, in addition to Campbell Scott and Kyra Sedgwick’s respective casting. Each are terrific actors, however because the Clean Verify podcast identified, they completely appear “47 years previous.” They all the time really feel like mother and father, particularly Scott, whose sturdy younger dad vibes don’t remotely match with a man who owns London Calling on vinyl and has seen Mudhoney a couple of occasions now. (Depp was provided the Steve half, which sadly makes far more sense.) When Linda will get pregnant and Steve proposes, it doesn’t come off like two younger individuals in a troublesome state of affairs. As a substitute it feels hilariously pure.
However Steve and Linda’s plot can also be actually, actually boring, even infuriating. I’m autistic, and one of many notes I took whereas watching reads “that is some neurotypical nonsense” as a result of it’s. As a substitute of speaking about their insecurities, or how they really feel about one another, or about something, Steve and Linda break up with one another repeatedly and second guess the opposite individual’s choices. When Steve doesn’t name Linda for 4 days (god forbid), she brushes him off, then…makes use of the shirt he left there to wash her rest room? Crowe desires to say one thing on this plot about communication within the Nineties—answering machines, unstated guidelines, and payphones are all key to their story—however at a sure level, the viewer’s merely ready for them to cease being idiots.
Bridget Fonda and Matt Dillon as Janet and Cliff are examples, in the meantime, of how good casting could make a predictable romance nonetheless work. The forthright, likable Janet and long-haired Cliff, seen mendacity again subsequent to Jimi Hendrix’s grave, really feel like actual Capitol Hill residents in 1992. They actively appear younger and impulsive and a bit foolish, particularly Dillon’s perma-stoned, pompous rocker. (The scene the place Cliff explains at size how “‘Contact Me, I’m Dick’, in essence, speaks for itself” is among the funniest within the film.) If Scott and Sedgwick really feel like they’re placing on costumes to be right here, Fonda in each scene is a 23 yr previous Seattle barista figuring out her personal company as an individual aside from this doof.
Years after the discharge of Singles, Cameron Crowe mused in regards to the irony of Cliff’s line about Citizen Dick being big in Belgium. By the point the film got here out, Seattle bands actually have been hitting it massive internationally, and this helped make Singles a modest success on the field workplace. Metropolis newspaper The Stranger accused the movie of utilizing the music scene for a revenue, however that wasn’t remotely the intent right here. Singles didn’t know find out how to make the story match town’s milieu, however the movie and its soundtrack have been lightning in a bottle, by accident capturing a cultural second earlier than it turned legend. Nonetheless, that wouldn’t even be Singles’ greatest legacy. Crowe turned down Warners’ provide to make the movie a sitcom, however the studio could have tailored components of the story anyway. There was nonetheless a hip espresso store, however now the present was set in New York. Plus that they had a greater title now, nonetheless easy, nevertheless it simply match the trials and tribulations of younger twentysomethings collectively within the metropolis: Pals.
C.M. Crockford is a Philly-based neurodivergent author with poems, articles, tales printed in varied retailers. You’ll find him on Twitter and discover his different work at cmcrockford.com.