ADRIAN THRILLS: Take That star Mark Owen comes out of the shed and into the highlight 

MARK OWEN: Land Of Goals (BMG) 

Verdict: Area-ready anthems

Score: ***  


Verdict: Likeable however formulaic

Score: *** 

BETH ORTON: Climate Alive (Partisan) 

Verdict: Hazy and atmospheric

Score: ****  

With Take That on hiatus, members are busy with solo initiatives. Gary Barlow is touring his glorious one-man present, which ends its West Finish run on Sunday.

Robbie Williams, whose second stint with the group led to 2011, begins a best hits tour subsequent month, and Howard Donald was noticed strutting his stuff on ITV’s The Masked Dancer.

As there isn’t any extra collective exercise till subsequent yr — when a brand new album is due — Mark Owen can also be resurrecting a solo profession that appeared to fizzle out after 2013’s low-key The Artwork Of Doing Nothing, a sheepishly titled album made in his backyard shed studio. The excellent news is that his newest launch, Land Of Goals, is much more enterprising.

Owen, 50, is dealing with the transition from boy band pin-up to middle-aged singer-songwriter properly. He performed this summer time’s Isle Of Wight and Latitude festivals, and at present’s arrival of Land Of Goals, plus a forthcoming tour, suggests a critical return somewhat than an arrogance undertaking.

Mark Owen (pictured) acting at Latitude Competition 2022 at Henham Park on July 24 2022

Having moved to LA, the Oldham-born singer has added an American sheen to his music by using U.S. producers and session gamers. The upshot is a sun-kissed pop report that modernises his sound whereas permitting him room to precise himself.

He acknowledges his man-band roots. ‘You solely need me for my beauty, unhealthy style . . . supersonic hip shaking,’ he jokes on You Solely Need Me, mocking his stage persona.

Boy is an enormous, harmony-driven singalong that would not have sounded misplaced on a Take That album. Mark equipped lead vocals on the Take That hits Babe and Shine, and his new songs reiterate the readability and verve of his singing. This is not probably the most unique report we’ll hear this autumn, however Owen deserves full marks for vary and flexibility.

He channels Bee Gee Barry Gibb in adopting an unexpectedly funky falsetto on Are You Wanting For Billy? and Superpower appears to George Michael’s Religion — a reminder that Michael remains to be the final word function mannequin for teen idols who need to seem grown-up as soon as the screaming stops.

Monitor of the week: Beguiled by The Smashing Pumpkins 

By no means knowingly understated, the Chicago rockers return with the primary of 33 songs from their forthcoming rock opera, Atum. Powered by crunching, Black Sabbath-like guitars, Beguiled additionally options the melodic twists which might be bandleader Billy Corgan’s trump card. 

Billy Corgan, of the Smashing Pumpkins, performing in Chicago on Tuesday

Billy Corgan, of the Smashing Pumpkins, performing in Chicago on Tuesday

There are detours into digital dance and pop, whereas Gone, Gone, Gone opens as an acoustic people piece and develops right into a jangling guitar quantity.

There is a clumsy try to handle the family budgeting disaster on Rio, on which he sings of ‘making an attempt to outlive when the price of dwelling retains on getting greater and better’. I am undecided that his resolution — an impromptu journey to Brazil — is an choice for many of us.

However Land Of Goals, with its arena-ready choruses, justifies his determination to go it alone once more.

Robbie and Gary would possibly simply be glancing nervously over their shoulders.

Australian quartet 5 Seconds Of Summer season are one other boy band experiencing rising pains. After forming at college and posting Justin Bieber covers on YouTube, they broke via once they toured with One Path in 2013. Edgy sufficient to draw rebellious teenage ladies, they had been healthful sufficient to not frighten their dad and mom.

As a cheery pop-punk act, they topped the U.S. charts with their first three albums. However you possibly can solely get thus far with songs that sound like The Inbetweeners set to music, and a extra considerate strategy surfaces on their fifth album, 5SOS5, a sprawling, 19-song affair produced largely by their guitarist, Michael Clifford.

Having as soon as regarded to teams like Blink-182 and Inexperienced Day, they tone down the high-octane riffs in favour of twinkling keyboards and strummed acoustics — an oddly-timed transfer, given the recognition of punky newcomers equivalent to Olivia Rodrigo.

Energy ballad Full Mess employs delicate electronics and Older — a piano duet between singer Luke Hemmings and his fiancee Sierra Deaton — is wistful and tender.

There is a nod to their hometown on Straightforward For You To Say (‘the dawn in Sydney that is burning for days’), and a few likeable, if formulaic, songs of affection and remorse. However amid the introspection, they’ve misplaced a bit of their outdated dynamism.

Beth Orton was dubbed the queen of ‘folktronica’ when her collaborations with The Chemical Brothers, Andy Weatherall and William Orbit struck a stability between digital beats and acoustic guitars. Her first two solo albums, Trailer Park and Central Reservation, had been worldwide hits, and he or she was topped finest feminine on the 2000 Brits.

Regardless of reaching the High 10 with 2002’s Daybreaker, her profession has since stalled. Unable to work in lockdown, she wanted a financial institution mortgage to maintain making music and has confronted well being issues courting again to a teenage analysis of the digestive situation Crohn’s illness.

Beth Orton was dubbed the queen of ¿folktronica¿ when her collaborations with The Chemical Brothers, Andy Weatherall and William Orbit struck a balance between electronic beats and acoustic guitars

Beth Orton was dubbed the queen of ‘folktronica’ when her collaborations with The Chemical Brothers, Andy Weatherall and William Orbit struck a stability between digital beats and acoustic guitars

However she wears her coronary heart on her sleeve on her bittersweet seventh album Climate Alive, a sequence of lengthy, languid items written on a ‘overwhelmed up outdated piano’ she purchased in London’s Camden Market. ‘It virtually makes me wanna cry, the climate’s so stunning outdoors,’ she sings, her voice breaking, on the title monitor, setting a dream-like tone that’s maintained all through.

With drummer Tom Skinner and saxophonist Alabaster DePlume including mild and shade, her hazy preparations veer in the direction of the jazzier aspect of Joni Mitchell. These in search of bangers ought to look elsewhere, however Climate Alive is fantastically sung and performed. 

  • All albums out at present. Mark Owen begins a UK tour on October 16 at O2 Academy, Bristol ( Beth Orton begins her tour on October 7 on the Academy 2, Birmingham (

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